Our Masterpiece is the Private Life, Mark Strand
I
Is there something down by the water keeping itself from us,
Some shy event, some secret of the light that falls upon the deep,
Some source of sorrow that does not wish to be discovered yet?
Why should we care? Doesn’t desire cast its
rainbows over the coarse porcelain
Of the world’s skin and with its measures fill the
air? Why look for more?
II
And now, while the advocates of awfulness and sorrow
Push their dripping barge up and down the beach, let’s eat
Our brill, and sip this beautiful white Beaune.
True, the light is artificial, and we are not well-dressed.
So what. We like it here. We like the bullocks in the field next door,
We like the sound of wind passing over grass. The way you speak,
In that low voice, our late night disclosures . . . why live
For anything else? Our masterpiece is the private life.
III
Standing on the quay between the Roving Swan and the Star Immaculate,
Breathing the night air as the moment of pleasure taken
In pleasure vanishing seems to grow, its self-soiling
Beauty, which can only be what it was, sustaining itself
A little longer in its going, I think of our own smooth passage
Through the graded partitions, the crises that bleed
Into the ordinary, leaving us a little more tired each time,
A little more distant from the experiences, which, in the old days,
Held us captive for hours. The drive along the winding road
Back to the house, the sea pounding against the cliffs,
The glass of whiskey on the table, the open book, the questions,
All the day’s rewards waiting at the doors of sleep . . .
Is there something down by the water keeping itself from us,
Some shy event, some secret of the light that falls upon the deep,
Some source of sorrow that does not wish to be discovered yet?
Why should we care? Doesn’t desire cast its
rainbows over the coarse porcelain
Of the world’s skin and with its measures fill the
air? Why look for more?
II
And now, while the advocates of awfulness and sorrow
Push their dripping barge up and down the beach, let’s eat
Our brill, and sip this beautiful white Beaune.
True, the light is artificial, and we are not well-dressed.
So what. We like it here. We like the bullocks in the field next door,
We like the sound of wind passing over grass. The way you speak,
In that low voice, our late night disclosures . . . why live
For anything else? Our masterpiece is the private life.
III
Standing on the quay between the Roving Swan and the Star Immaculate,
Breathing the night air as the moment of pleasure taken
In pleasure vanishing seems to grow, its self-soiling
Beauty, which can only be what it was, sustaining itself
A little longer in its going, I think of our own smooth passage
Through the graded partitions, the crises that bleed
Into the ordinary, leaving us a little more tired each time,
A little more distant from the experiences, which, in the old days,
Held us captive for hours. The drive along the winding road
Back to the house, the sea pounding against the cliffs,
The glass of whiskey on the table, the open book, the questions,
All the day’s rewards waiting at the doors of sleep . . .
My Parents, 1977, David Hockney
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